Author Archive

Sources of Inspiration: Taschen

Wednesday, June 22nd, 2011

Louis Hess is an Art Director/Designer w/ INKLAB at SaatchNY. This is the second of his quarterly feature called Sources of Inspiration. Each post will feature points of inspiration, highlighting great resources for sparking the creative mind.

Taschen is a publisher of painting, design, fashion, architecture, and photography books founded by Benedikt Taschen from Cologne, Germany in 1980 and a Lovemark of mine. Most of their breathtaking reproductions are available at reasonable prices but they have also published one of the most expensive books in publishing history, the $15,000, 75 pound, 700 page GOAT (Greatest of All Time), a tribute to the American boxer Muhammad Ali which Der Spiegel called “the biggest, heaviest, most radiant thing ever printed in the history of civilization.”

Below are a few tomes in my collection and short description of them from Taschen. Filled with hand drawn typography and painstaking meticulous illustrations—it’s a great reminder that nothing is impossible when it’s a labor of love.

Andreas Cellarius—Harmonia Macrocosmica

This collection of celestial maps by Dutch-German mathematician and cosmographer Andreas Cellarius (c. 1596 – 1665) brings back to life a masterpiece from the Golden Age of celestial cartography. First published in 1660 in the Harmonia Macrocosmica, the complete 29 double-folio maps and dozens of unusual details reproduced here depict the world systems of Claudius Ptolemy, Nicolaus Copernicus, and Tycho Brahe, the motions of the sun, the moon, and the planets, and the delineation of the constellations in various views.

Atlas Maior—Robert van Gent

Atlas Maior

The finest and most comprehensive baroque atlas was Joan Blaeu’s exceptional Atlas Maior, completed in 1665. The original 11-volume Latin edition, containing 594 maps Covering Arctica, Europe, Africa, Asia, and America, Blaeu’s Atlas Maior was a remarkable achievement and remains to this day one of history’s finest examples of mapmaking.

Walter Ford—Pancha Tantra

Pancha Tantra

At first glance of Pancha Tantra, Walton Ford’s a large-scale, highly-detailed watercolors of animals may recall the prints of 19th century illustrators John James Audubon and Edward Lear, and others of the colonial era. But a closer look reveals a complex and disturbingly anthropomorphic universe, full of symbols, sly jokes, and allusions to the ‘operatic’ nature of traditional natural history themes.

Jean Baptiste Marc Bourgery Atlas of Anatomy

Atlas of Anatomy

In 1830, having received his doctorate in medicine three years prior, Bourgery began work on his magnificent Atlas of Anatomy in cooperation with illustrator Nicolas Henri Jacob (1782–1871), a student of the French painter Jacques Louis David. The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication; Bourgery lived just long enough to finish his labor of love, but the last of the treatise’s eight volumes was not published in its entirety until five years after his death.

Albertus Seba Cabinet of Natural Curiosites

Natural Curiousities

Albertus Seba’s Cabinet of Natural Curiosities is one of the 18th century’s greatest natural history achievements and remains one of the most prized natural history books of all time. Though scientists of his era often collected natural specimens for research purposes, Amsterdam-based pharmacist Albertus Seba (1665-1736) was unrivaled in his passion. His amazing collection of animals, plants and insects from all around the world gained international fame during his lifetime.

If you’re interested in seeing more of Taschen’s amazing work, be sure to visit their New York store at 107 Greene Street.

Savage Beauty

Monday, May 23rd, 2011

The beautiful work of Alexander McQueen

Last week, INKLAB took ourselves for an outing in the rain to see “Alexander McQueen: Savage Beauty” at the met for a deeply inspirational journey through the exhibition. Beholding his mastery of balance, scale and proportion in the smorgasbord of materials he worked with will leave you in awe.

TWO DECADES IN THE MAKING

More work from the McQueen Exhibit

The two decade retrospective is broken into 5 areas and although it times you feel like cattle heading to slaughter it does make the experience all the more memorable. One room is covered in tarnished antique mirrors, another arranged like a “cabinet of curiosities” to showcase his accessories. As you wind your way through his body of work you are constantly being reminded that this is not fashion—it is the sublime.

The pieces i admired the most are the ones closest to nature: a coral head dress, a carved wooden bust, a top fashioned from mussel shells, a dress of pheasant feathers, a heel made from horn, a skirt constructed of nacreous shells.

SO MUCH BEAUTY

Headdresses and shoes

So much beauty, and had he not passed few of us would have had the fortune of seeing any of it. A gorgeous catalogue of the pieces photographed by Sølve Sundsbø is available in the gift shop. On the cover is a lenticular lens that shows McQueen and a metallic skull—just the kind of haunting beauty that captured the spirit of his visions.

THE BACKGROUND

A top fashioned entirely from mussel shells

For those of you interested in some background information, be sure to read Judith Thurman’s article for The New Yorker.

Fair warning though . . . it’s easy to see why this exhibit is so hugely popular. The crowds were immense, so we highly recommend you see it for yourselves…first thing in the morning…on a weekday.

Category: Creative, Events, New York

Sources of Inspiration

Tuesday, March 8th, 2011

Louis Hess is an Art Director/Designer w/ INKLAB at SaatchNY. Starting today, he’ll be contributing a quarterly feature to Hudson/Houston called Sources of Inspiration. Each post will feature points of inspiration, highlighting great resources for sparking the creative mind.

OBJETS D’ART
Creative minds are constantly on the hunt for their next Muse. Many will check out the Cooper-Hewitt in New York where more than 350 jewels, timepieces, fashion accessories and objets d’art are on view in an exhibition called Set in Style: Van Cleef & Arpels. Objets d’art are (usually small) objects that have an aesthetic value.

They can be the result of an arduous craft of man or formed in nature. It can be a polished stone or a 14th century Russian Icon. These curiosities of concentrated beauty thoughtfully arranged are the Zen gardens of many minds in the field of creativity.

Domenico Remps, A Cabinet of Curiosity, 1690s.

Objets d’art photographed by David Prince

A few of my own objets d’art

From the office of Roman and Williams the design team behind New York’s The Ace Hotel and The Standard

Category: Creative